UFR LLASICLanguage, literature, performing arts, information and communication, journalism

• Lecturer in Performing Arts
  UMR Litt&Arts/CINESTHEA
• Director of the Performing Arts Department
• Elected to the LLASIC Faculty Council

• Analysis of creative processes
• Institutional and professional environment for creation
• Organizational models for live performances
• Stage and society
• Contemporary Issues in Cultural Policy

• Collective and collaborative artistic approaches
• Creating with non-professionals from the performing arts; creating in situ
• French public theater institutions (recent developments)
• The contemporary English scene

• HDR: "Worlds of Work, Worlds at Work: Aesthetic and Sociological Approaches to Contemporary Performing Arts,^20th-21st Centuries" (2024)
• Master of Arts in Performing Arts since 2009 (UGA)
• Doctorate in Theater Studies. Thesis topic: The Metamorphoses of Space and Time in Contemporary English Drama (supervised by Jean-Pierre Sarrazac, 2007). Richelieu Prize from the Chancellery of the Universities of Paris.
• Assistant Professor in the Department of Performing Arts, Image, and Screen at the University of Lyon 2 (2005-2007)
• Teaching assistant at the Institute of Theater Studies at Paris 3 University (2002-2005)

Training

• Master's degree and PhD in Theater Studies, University of Paris 3 (2002-2007)
• Master's degree in Text & Performance Studies, RADA / University of King's College (2000)
• Bachelor's and Master's degrees in Modern Literature, University of Paris 4 (1998-1999)
• Bachelor's degree in English, University of Paris 4 (1999)

Individual work

• S. Ruset,Metamorphoses of Time and Space in Contemporary English Drama, Paris, Classiques Garnier, 2019, 423 p.

Management of collective works

• B. Hamidi-Kim and S. Ruset (eds.),Troupes, companies, collectives in the performing arts: work organizations, creative processes, and economic conditions, L’Entretemps, 2018, 445 p.
• A. Folco and S. Ruset (eds.),La scène contemporaine à l’épreuve de l’impossible,European Drama and Performance Studies, Special Issue, Garnier, Spring 2017, 221 p.
• A. Folco and S. Ruset (eds.), L’injouable au théâtre,Revue d’Histoire du Théâtre, no. 267, fall 2015, pp. 347–450.
• S. Ruset (ed.),Subversion in Contemporary English Drama,Annuaire Théâtral, Quebec Journal of Theater Studies, No. 38, Fall 2005, pp. 1–106.

>See the list of my publications